Beggars and Thieves: Lives of Urban Street Criminals

The years 1907-1913 mark a crucial transitional moment in American cinema. As moving picture shows changed from mere novelty to an increasingly popular entertainment, fledgling studios responded with longer running times and more complex storytelling. A growing trade press and changing production procedures also influenced filmmaking. In Early American Cinema in Transition, Charlie Keil looks at a broad cross-section of fiction films to examine the formal changes in cinema of this period and the ways that filmmakers developed narrative techniques to suit the fifteen-minute, one-reel format. Keil outlines the kinds of narratives that proved most suitable for a single reel's duration, the particular demands that time and space exerted on this early form of film narration, and the ways filmmakers employed the unique features of a primarily visual medium to craft stories that would appeal to an audience numbering in the millions. He underscores his analysis with a detailed look at six films: The Boy Detective; The Forgotten Watch; Rose O'Salem-Town; Cupid's Monkey Wrench; Belle Boyd, A Confederate Spy; and Suspense.

Author: Mark S. Fleisher
Publisher: University of Wisconsin Press
Published: 12/03/2001
Pages: 352
Binding Type: Paperback
Weight: 1.06lbs
Size: 9.15h x 6.04w x 0.80d
ISBN13: 9780299147747
ISBN10: 0299147746
BISAC Categories:
- Social Science | Criminology
- Social Science | Sociology | Urban

About the Author

Mark S. Fleisher is associate professor of criminal justice at Illinois State University. An anthropologist and a former administrator in the Federal Bureau of Prisons, he is the author of Warehousing Violence. He is also the author of Dead End Kids, published by the University of Wisconsin Press.

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